GUNJU music is comprehensive Afropean cultural sound. Whilst the unmistaken African authenticity is evident and effusing, we combine Elaborate European structure and its recent approach into modernity yet underpinned and ascendant African core from antiquity. Of course, the new world as in the Americas are in tow with their manifestation aiding as well.

The drums and talking cowbells are the main instruments of Prince Olagunju with the voice in accompaniment and gaining a hierarchy via voice training.

The recently released album, through thick and thin demonstrates this ethos effortlessly. Music embedded in the four continents, such as Missing my Sunshine, which has historical attributes from 17th century America to the united nations. Sons of Lagos, which I first became aware as a musical ensemble in 1977, when on first entering Lagos on a flight from the country of my birth UK, I was amazed at the chants of the bus conductors until I coined the title Sons Of Lagos decades ago in 2006. Take Eye go market, represents classical 6/8 format only envisaged and completed by a few artists such as Fela Kuti from his legendary Custom Check Point. The music is via an acoustic ensemble setting where I introduce the full horns section, Rock guitar as the musical denominator to allow Pidgin English, Yoruba and the quintessential English vocals to embellish upon a sound that transcends even in transference.

Suffice to mention the fact that I learnt drums as an 8 year old English lad in the choir of Celestial Church of Christ, Benin City. Nigeria